SELFIE MADNESS BY RECYCLE GROUP

Text: Ümmühan Kazanç

Recycle Group, “Selfies”, 2015, thermoshaped plastic mesch, 250 x 400 cm (98 3/8 x 157 1/2 in.).

I have privilidge to met art works by Recycle Group at Suzanne Tarasieve Gallery (Paris) Stand. Recycle Group who have awarded Kandinsky Prize, (2010 Best Young Artist), Innovation Prize exhibition (2009, NCCA Moscow, Russia) and Kandinsky Prize (2009, London) were in Istanbul for ArtInternational Fair and exhibited their works titled as “Selfies”, “Selfie 1” and “Selfie 2”. These works were among most visited art works in ArtInternational Fair. “Selfies” and “Selfie Sticks” are part of our lives and Recycle Group interpreted this social media madness throught using classical sculptures handling selfie sticks. Everybody is Greek or Roman Gods/Goddess or Kings/Queens! As the name of the Group suggests Recycle Group use recycled material to create their art works and they have used thermoshaped plastic mesch in Selfie Group.

Recycle Group also opened an important exhibition called “Conversion”, at SantʼAntonin Church in 56th Venice Biennale, Venice in 2015.

Recycle Group live and work in Krasnodar, Russia. Recycle Group consists of Andrey Blokhin (b. 1987) and Georgy Kuznetsov (b. 1985), two contemporary Russian artists who work primarily with industrial mediums such as acrylic, plastic mesh, and polyurethane rubber to examine contemporary culture through a quasi-archaeological lens.

Recycle Group, “Selfie 1”, 2015,
thermoshaped plastic mesch, 200 x 100 cm.,
(78 3/4 x 39 3/8 in.).

As their name suggests, the duo is concerned about the rising level of material waste as a byproduct of widespread consumerism. The wall sculpture “Car Skeleton” (2014) partially entombs miscellaneous electronic parts and machinery in a way that evokes fossilized remains of ancient civilizations, questioning whether the aspects of today’s throwaway, technology-obsessed society will be worth immortalizing in history later. Their works also draw upon classical Western traditions such as narrative relief carving and Christian iconography to compare contemporary times with other histories – social media with religion, corporate leaders with kings, and online existence with mausoleums.

FOR MORE INFO:

SUZANNE TARASIEVE PARIS

7, rue Pastourelle F-75003 Paris + LOFT19 Passage de lʼAtlas / 5, Villa Marcel Lods F-75019 Paris

www.suzanne-tarasieve.com info@suzanne-tarasieve.com

RECYCLE GROUP

Andrey Blokhin

Born in 1987 in Krasnodar, Russia

2004 Graduated from the lyceum of the Academy of Industrial Art in Krasnodar

2010 Graduated from the Academy of Industrial Art in Krasnodar

Georgy Kuznetsov

Born in 1985 in Stavropol, Russia

2005 Graduated from Stavropol Art College, Stavropol, Russia

2011 Graduated from the Academy of Industrial Art in Krasnodar, Russia

Recycle Group, “Selfie 2”, 2015,
thermoshaped plastic mesch, 200 x 100 cm.,
(78 3/4 x 39 3/8 in.)

SOLO SHOWS (Selection)

2015

Conversion, SantʼAntonin Church, 56th Venice Biennale, Venice, Italy (Curator: James Putnam)

Heaven Carrier, Richard Taittinger Gallery, New York, USA

Manezh Central Exhibition Hall, Moscow, Russia

2014

Final sale, London School of Economics, London, UK

Art14, Triumph gallery, Olympia Grand Hall, London, UK

RECYCLE, Triumph Gallery, Moscow, Russia

2013

Holy ID, Galerie Suzanne Tarasieve – LOFT 19, Paris, France

Part Of The Moment, Triumph gallery, Moscow, Russia

Taittinger Art Salon, New York, USA

2012 – 2013

Paradise Network, Multimedia Art Museum, Moscow, Russia (Curator: Anna Zaitseva)

2012

Recycle, PERMM museum, Perm, Russia

HIAP, Kaapelin galleria, Helsinki, Finland

Future archeology, Mironova Gallery, Kiev, Ukraine

2011

Miracle Proof, Contemporary Art Museum TverCA, Tver, Russia

2010

Reverse, M&J Guelman Gallery – Winzavod Center for Contemporary Art, Moscow , Russia

Layers, Triumph-gallery, Moscow, Russia

2009

Blister, M&J Guelman Gallery – Winzavod Center for Contemporary Art, Winzavod Moscow, Russia

M!ARS Centre for Contemporary Arts, Moscow, Russia

2008

Recycle project, M!ARS Centre for Contemporary Arts, Moscow, Russia

PRIX / AWARDS

2010 Kandinsky Prize, Best Young Artist / Project of the Year, Moscow, Russia

2009 Innovation Prize exhibition NCCA Moscow, Russia

2009 Kandinsky Prize in London, Louise Blouin Foundation, London, United Kingdom

“TÜYLERİM DİKEN DİKEN”: BİR SANATÇININ ÇIĞLIĞI

Erdal Duman, (Photo by Ümmühan Kazanç).

“MY HAIR STAND ON END”: THE CRY OF AN ARTIST

Yazı: Ümmühan Kazanç

Sanatçı Erdal Duman’ın ArtInternational 2015 Fuarı’nda, .artSümer standında “Tüylerim Diken Diken” başlığı altında sergilediği çalışmaları, son günlerde yaşadığımız ve hepimizin tüylerini diken diken eden acı olayların etkisiyle özel bir farkındalık yaratarak, ön plana çıkıyordu.  

Erdal Duman’ın özellikle “860” isimli, GÖZYAŞI ŞİŞELERİ ile oluşturduğu enstalasyonu karşısında dakikalarca durdum. Ben o gözyaşı şişeleri içinde çok şey gördüm: Onlarca şehidin ardında bıraktığı eş, çocuk, ana ve babaların gözyaşları; masum bedeni Bodrum’da sahile vuran Aylan Bebeğin artık akamayacak gözyaşları; Suriye’deki savaştan kaçarak, başka yurtlara sığınmaya çalışan mültecilerin gözyaşları; şiddet gören kadınların, kızların gözyaşları; adeta hunharca katledilen doğanın göremediğimiz gözyaşları… Gözyaşları artık boğazımızdan yükselen çığlıklara karışarak çok kanlı akıyor.

Erdal Duman, “Tüylerim Diken Diken - My Hair Stand On End”, 2015, metal,
225x25x6 cm., edisyon 1, (Photo by Ümmühan Kazanç).

Ve Erdal Duman’ın metal çubuklarla oluşturduğu “Tüylerim Diken Diken” duvar yazısı da metal çivinin soğuk ve sivri ucu gibi, vücudumuzda, ruhumuzda derin izler bırakan yüzlerce acıya, insanlığın hızla yok oluşuna sert ve anlamlı bir dokunuştu.

Erdal Duman, “Tüylerim Diken Diken -
My Hair Stand On End”, detay, 2015,
metal, 225x25x6 cm., edisyon 1,
(Photo by Ümmühan Kazanç).

ERDAL DUMAN’DAN “TÜYLERİM DİKEN DİKEN”

Erdal Duman ArtInternational Fuarında “Tüylerim Diken Diken” başlığı altında sergilediği çalışmalarının kavramsal altyapısını şu sözlerle anlatıyor: “Hayatta kalmak adına yaratıcılığımızı sonuna kadar kullanarak kendimizden başka hiçbir şey geride bırakmadan ilerliyoruz. Bu konuda o kadar başarılıyız ki doğadaki en mükemmel canlıları bile kıskandıracak şekilde becerikliyiz. İnsanlığın ortaya koyduğu bu yetenek karşısında tüylerim diken diken. Kendinden olmayanı yok eden, farklı inanca, yaşam biçimine tahammülü olmayan yapısıyla, empatiden yoksun bakışıyla yol alan insanın tek kurtuluşu ise, birbirinin tıpkısı olan dev bir organizmaya dönüşmesi. Ancak o zaman kendisi için en uygun yaşam biçimine kavuşacak. Artık ortada yok edecek kadın, çocuk, doğa, hayvan, inanç, ırk kalmadığında kendi için ideal dünyayı yaratmış olacak.”

Erdal Duman, “860”, 2015, gözyaşı şişeleri, metal çubuklar, değişebilir ölçü,
(Photo by Ümmühan Kazanç).

“MY HAIR STAND ON END” by ERDAL DUMAN

Erdal Duman explains conceptual background of  his Works titled as “My Hair Stand On End”: “In order to survive in this World, using up all our creativity, we have been destroying everything around us, heading fort he ideal future.

We have very well done in this respect, which is so unique among all creatures. This deed of us makes my hair stand on end. With our innate intention of destroying others who have different religion, lifestyle on so on, with their lack of empathy for others, humanity will only achieve to survive by turning itself to an organization of individuals all uniformed, or all the same. Then there will be no women, no children, no nature, no animals, no race, no faith to eradicate, at which point it will manage to deserve its ideal form without any variety and diversity.

Erdal Duman, “860”, 2015, gözyaşı şişeleri,
metal çubuklar, değişebilir ölçü,
(Photo by Ümmühan Kazanç).

ERDAL DUMAN ÖZGEÇMİŞ

1976 yılında Almanya’da doğan Erdal Duman, 2002 yılında Hacettepe Üniversitesi Güzel Sanatlar Fakültesi Heykel Bölümü’nden mezun oldu. 2007 yılında Hacettepe Üniversitesi Sosyal Bilimler Enstitüsü Heykel Anasanat Dalı yüksek lisans programını tamamladı. Halen Hacettepe Üniversitesi Güzel Sanatlar Enstitüsü’nde sanatta yeterlik programına devam etmektedir. Çok sayıda kişisel, karma sergiler ve ortak projelerde yer aldı. Ayrıca fotoğraf çalışmaları ve afiş tasarımı alanında işleri bulunmaktadır.

Erdal Duman, son yıllarda Ankara’nın sanat ortamına hareket getiren Yaygara Güncel Sanat Topluluğu’nun kurucularından. İşlerinde militarizmi ve daha belirgin olarak da savaş araç gereçlerini konu ediniyor. Daha önce Ankara’da katıldığı sergilerde ve Contemporary İstanbul gibi etkinliklerde çeşitli örneklerini izleyici karşısına çıkardığı işler 2011 yılında "Ammunition" isimli kişisel sergisi İstanbul’da .artSümer’de yer almıştı.

Savaş, günümüz dünyasında neredeyse bütün bir haritayı kaplayacak şekilde yayıldığı halde en görünmez hale gelen olgulardan biri. Her an her yerde bir ayaklanma, bir toplumsal kalkışma ya da topyekün seferberlik durumu yaşanıyor. Ön planda insanlar acı çeker ve ölürken, resmin görünmeyen kısmında silah teknolojileri üzerine büyük pazarlar kurulup dağılıyor. Erdal Duman işlerinde resmin bu görülmeyen kısmına odaklanıyor. Daha doğrusu hepimizin bilmesine ve apaçık göz önünde olmasına karşın, iktidar odaklarının ustaca sümen altı etmeyi başardıkları, dikkati başka bir tarafa çekmeyi becerdikleri bu illüzyona işaret ediyor.

Erdal Duman, “Dimdik – As Straight As an Arrow”,
2015, metal, pirinç döküm, 52x52x185 cm.,
(Photo by Ümmühan Kazanç).

ERDAL DUMAN BIOGRAPHY

When the object is represented in a different way than the usual, it takes on a new definition. The image on the verge of reality creates a replica that constantly sabotages its original, distorts and disconnects with its own reality, giving way to the emergence of an image that is identical with the original yet metaphorically transformed in terms of meaning.

When images replace reality, human consciousness moves to a different angle. Hence it is impossible to conceive reality at this space between the situation itself and its conceptualization. The indicator that emerges in that interim leads the mind astray, superseding the sight. When we think about the images of the recent Gulf War, we can draw the same conclusion: In fact Baudrillard underlined this by saying “Gulf War did not take place”. Rather than a war that caused the death of thousands of people, the assumption referred by this sentence is the question if those images that we watched were real. Even the question if all that has happened was a construct, cannot find its reality. Everything is there for the world to see yet dissimulated perfectly.

Erdal Duman borrows the shapes of the objects that represent violent and tragic realities, and he rebuilds them. These false ammunitions conceal their true existence while reflecting the false reality of the other. In fact, in contradiction to their defective reality, they manifest a more complete reality by showing their existence in their absence.

Erdal Duman’s sculptures are as permeable as the images of war. Looks pass through them without touching anything, as if they were camouflaged by space. Space appears to be another component of these sculptures, where the meaning is hidden. Space refers to the identical yet unseen and undisclosed part of reality. Still these objects are glamorous and bright with neon colors to catch our glances. They are as ravishing as war instruments. Because they are alienated from reality and their meanings are camouflaged.

Born in 1976 in Germany, Erdal Duman obtained his BFA in Sculpture in 2002 in Hacettepe University in Ankara, and completed his MFA from the same institution in 2007. In 2011 he opened his first solo show, "Ammunition" at artSümer. He currently lives and works in Ankara.

FOR INFO:

.artSümer

www.artsumer.com

kemankeş mah. mumhane cad. laroz han no:67 karaköy 34425 istanbul turkey

t.+90 212 249 1035

f.+90 212 249 1036

m.+90 539 340 6089

info@artsumer.com

VICTORIA MIRO GALLERY’DEN ARTINTERNATIONAL FUARI İÇİN ÖZEL BİR SEÇKİ

Grayson Perry, “In its Familiarity Golden”, 2015, Tapestry, 290x343 cm, 1141/8x1351/8 in (GP 547), Courtesy of Victoria Miro, London.

Sadece İngiltere’nin değil dünyanın en önemli galerilerinden biri sayılan Victoria Miro, 4-6 Eylül tarihlerinde ARTINTERNATIONAL FUARI ile birlikte ilk kez Türkiye’ye geliyor. Aralarında Dragset&Elmgreen, Isaac Julien, Grayson Perry’nin de bulunduğu pek çok ünlü isimle katılacak galerinin çok konuşulacak sanatçılarından biri de Yayoi Kusama olacak! Temsil ettiği sanatçılar arasında Turner ödüllü Chris Ofili’nin de bulunduğu galeri, dünyaca ünlü isimlerin işlerini İstanbullu sanatseverlerle buluşturmaya hazırlanıyor.

Julien’den Perry’e

İlk filmi “Looking for Langston” (1989) ile Berlin’de Teddy Ödülü’nü alan, “The Long Road to Mazatlán” (1999) ve “Vagabondia” (2000) filmleriyle Turner Ödülü’nü kazanan, işleri Tate, MOMA, Centre Pompidou, Guggenheim, Hirshhorn ve Brandhorst gibi müzelerin koleksiyonlarında yer alan sinemacı ve güncel sanatçı Isaac Julien, müzik ve sanat tarihinden beslenen çizimleri ve yerleştirmeleriyle büyüleyen Idris Khan, büyük ölçekte kadın ve çocuk resimleriyle tanınan, Charles Wollaston ödüllü Chantal Joffe ve en son Pera Müzesi’ndeki sergisiyle de büyük ilgi gören, kadın alter-egosu “Claire” olarak da bilinen ve 2003 Turner Ödülü sahibi Grayson Perry bu isimlerden sadece bir kaçı.

Ingar Dragset ve Michael Elmgreen, “He (Copper Green)”, 2013, epoxy resin, polyurethane cast, metal lacquer (copper), green patinated 190x140x100 cm, 743/4x551/8x393/8 in (Edition 109), Courtesy of Victoria Miro, London.

‘Deniz Erkeği’ İstanbul’da!

Hipergerçekçi heykelleri ve mekanlara yaptıkları sürpriz yerleştirmeleriyle dikkat çeken, Berlin’de Nazi döneminde öldürülen eşcinsellerin anısına yaptıkları “Memorial to the Homosexuals” ve Teksas’ın göbeğine kurdukları “Prada Marfa” gibi kült işleriyle de tanınan İskandinav ikili Ingar Dragset ve Michael Elmgreen’in meşhur “Deniz Erkeği” (He - Copper Green, 2013) heykelinin de sergileneceği Victoria Miro standının en çok ilgi görecek isimlerinden biri de hiç kuşkusuz Yayoi Kusama olacak.

Yayoi Kusama, “Image of First Love”, 2013, Sewn stuffed fabric, paint, metal 105x41x94 cm, 413/8x161/8x371/8 in, (KUSA 810), Courtesy of Victoria Miro, London.

Kusama’nın ‘İlk Aşk’ı

Sadece ülkesi Japonya’nın değil, uluslararası sanat platformunun en sıra dışı sanatçılarından biri sayılan, 60 yılı aşkın sanat hayatı boyunca performanstan, enstalasyona, happening’den resme, hatta edebiyat ve sinemaya uzanan farklı disiplinler arasında gezinen, renkli-aynalı düzenlemeleri ve kendi yaptığı puantiyeli kıyafetleri ve kabak heykelleri, optik desenleri, siyah-kırmızı noktalarını yerleştirdiği işleriyle tanınan, sarsıcı hayat hikâyesiyle de çok konuşulan Yayoi Kusama’nın 2013 tarihli “Image of First Love” adlı heykeli de Victoria Miro standında görülebilecek.

Yılın merakla beklenen uluslararası çağdaş ve modern sanat fuarı ARTINTERNATIONAL, 4-6 Eylül tarihlerinde Haliç Kongre Merkezi’nde gerçekleşecek. İspanya’dan Çin’e, İtalya’dan Bulgaristan’a, 27 ülkeden 88 galeri ve 400’den fazla sanatçının katılacağı fuar, bir kez daha sanat tutkunlarının odağı olacak.

ARTINTERNATIONAL

Tarih: 4-6 Eylül 2015

Yer: Haliç Kongre Merkezi - Sütlüce Mah. Karaağaç Cad. Beyoğlu - İstanbul

www.artinternational-istanbul.com

facebook: ArtInternationalTurkey

twitter: @ArtIntl

instagram: @ArtIntl

ARTINTERNATIONAL announces line-up for ‘By The Waterside’ 2015

Andy Warhol, “Myths: The Star, II.258”, 1981, 

screenprint on Lenox Museum Board, edition 136/200, 

Signed and numbered on verso, 96.5 x 96.5 cm (38 x 38 in.).

ARTINTERNATIONAL is pleased to announce the works selected for By the Waterside, the fair’s dedicated sculpture terrace spanning the length of the Haliç Congress Center’s waterfront on Istanbul’s historic Golden Horn. Nine works have been chosen for the third year running by ARTINTERNATIONAL's selection committee from applications by the fair’s participating galleries.

This year By the Waterside will include works by acclaimed artists including Rada Boukova, Guldo Casaretto, Yerbossyn Meldbekov, Ichwan Noor, Stefan Nikolaev, Javier Pérez, Paul Schwer, Walid Sitl and Chen Wenling.

Fair Director Dyala Nusseibeh said; “We are always excited to see the new proposals from galleries for this section. For our next edition, By the Waterside will continue to engage, delight and surprise visitors, offering challenging works from established and emerging artists. The pier is one of the greatest strengths of the venue, overlooking the Golden Horn with magnificent views. The sculptures shown By the Waterside bring this area to life and in this unique setting, the works are presented to their best advantage.’

By the Waterside spans the length of the Haliç Congress Center’s waterfront. The third edition of ARTINTERNATIONAL takes place from 5-6th September 2015. For more information please visit www.artinternational-istanbul.com/programme/by-the-waterside

Banksy, “Custardized Oil #3”, 2006, digital print on canvas and oil paint, edition of 3, signed, 

70x60 cm., Courtesy of Andipa Gallery.

ARTINTERNATIONAL ANNOUNCES 2015 PARTICIPATING GALLERIES

ARTINTERNATIONAL, Istanbul’s global contemporary and modern art fair, has today announced participating galleries for its third edition.  Returning to the Haliç Congress Center, on the banks of Istanbul’s Golden Horn, ARTINTERNATIONAL will take place between 4 and 6 September, and feature 91 galleries from 26 countries, with 13 from the fair’s host country.

Mehmet Güleryüz, “Tam Anlamadım”, 2015, oil on canvas, 73x60 cm., Courtesy of The Empire Project.

PARTICIPATING GALLERIES

ARTINTERNATIONAL received a record number of applicants this year and the selection was assessed by the fair’s Selection Committee consisting of Leila Heller Gallery, New York; Galerie Krinzinger, Vienna; Pi Artworks, London & Istanbul and Rampa Gallery, Istanbul.

Participants come from 26 countries spanning Europe, North America, South America, the Middle East, Central Asia, India and China. Several galleries will be attending for the fair for the first time including Victoria Miro (London), Sakshi Gallery (Mumbai), Aspan Gallery (Almaty), Galerie Du Monde (Hong Kong) and Aicon Gallery (New York & London).

Joan Miró, “Quatre colors aparien el món…”, 1975, 

etching, aquatint, 90x63,5 cm., 

Courtesy of Galeria Joan Gaspar.

Turkish galleries Kuad, Öktem&Aykut and the Empire Project will participate for the first time, joining previous participants: .artSümer, Dirimart, Galerist, Gallery Nev Ankara, Pi Artworks, Pilot, Sanatorium, Rampa, x-ist and Galeri Zilberman.

Through generous support of the Catalan government, 12 galleries from Art Barcelona (Associació de Galeries) will participate in the fair, including ADN Galería, Àngels Barcelona, Galeria Joan Gaspar, Miguel Marcos Gallery, N2 Gallería, Poligrafa Obra Gráfica, Galeria Joan Prats, Galeria Sicart, Galeria Senda, Galeria Carles Taché Projects, Galeria Trama and Valid Foto BCN Gallery.

For its third edition, a number of leading galleries will be joining ARTINTERNATIONAL, participating alongside returning exhibitors including Paul Kasmin Gallery (New York), Pearl Lam Galleries (Hong Kong, Shanghai & Singapore), Kukje Gallery/Tina Kim Gallery (Seoul/New York), Gallery Lelong (Paris), Kalfayan Galleries (Athens & Thessaloniki), Deweer Gallery (Otegum, Belgium), Robert Miller Gallery (New York) and Galleri Andersson/Sandström (Stockholm & Umeå)

Azade Köker, “Mardin”, 2015, tuval üzerine karışık teknik, 130x400 cm., diptik, Courtesy of Galeri Zilberman.

Fair director Dyala Nusseibeh commented, ‘ARTINTERNATIONAL, which last year received over 22,000 visitors, is fast establishing a reputation as a fair of discovery. We are pleased to have regional galleries from Eastern Europe, the Caucasus and Central Asia joining us alongside galleries from further afield in September. Istanbul continues to be a dynamic global hub for art and this is reflected in the diverse, exciting quality of works being presented at the fair. This year’s edition coincides with the official opening of the 14th Istanbul Biennial and we look forward to welcoming an audience of collectors, curators, arts professionals and art lovers for what promises to be an enormously vibrant week for art in Istanbul.’

Stefan Nikolaev, “I Hate America and America Hates Me”, 2013, bronze, black patina, aluminium pedestal, 92 x 59 x 60 cm, Courtesy of Sariev Contemporary.

ARTINTERNATIONAL 2015 GALLERY LIST

MARTINE ABOUCAYA, Paris

ADN GALERIA, Barcelona

AICON GALLERY, New York & London

LOUISE ALEXANDER GALLERY, Porto Cervo

SABRINA AMRANI GALLERY, Madrid

GALLERI ANDERSSON/SANDSTRÖM, Stockholm & Umeâ

ANDIPA GALLERY, London

ÀNGELS BARCELONA, Barcelona

ARTCULT GALLERY, Kiev

.ARTSÜMER, Istanbul

ASPAN GALLERY, Almaty

ASSAR ART GALLERY, Tehran

ÖKTEM&AYKUT, Istanbul

PIERO ATCHUGARRY, Tierra Garzón

BERLONI, London

BOCCANERA, Trento

CHARIM GALERIE, Vienna

CIRCLE CULTURE GALLERY, Berlin

DEWEER GALLERY, Otegum

DIRIMART, Istanbul

THE EMPIRE PROJECT, Istanbul

EX ELETTROFONICA, Rome

GALLERIA MARIE-LAURE FLEISCH, Rome

THE FINE ART SOCIETY CONTEMPORARY, London

GALERIA JOAN GASPAR, Barcelona

GALERIST, Istanbul

GAZELLI ART HOUSE, London & Baku

GIACOMO GUIDI, Rome

LEILA HELLER GALLERY, New York

ERNST HILGER, Vienna

CECILIA HILLSTRÖM GALLERY, Stockholm

TRISTAN HOARE, London

HORRACH MOYA, Palma De Mallorca

HOSFELT GALLERY, San Francisco

KALFAYAN GALLERIES, Athens & Thessaloniki

PAUL KASMIN GALLERY, New York

TINA KIM GALLERY, New York

GALERIE KORNFELD, Berlin

GALERIE KRINZINGER, Vienna

KUKJE GALLERY, Seoul

YURIY KULIKOVICH COLLECTION, Dnipropetrovsk

PEARL LAM GALLERIES, Hong Kong, Shanghai And Singapore

GALERIE LELONG, Paris

GALERIE LINDNER, Vienna

LISABIRD CONTEMPORARY, Vienna

GALERIA JAVIER LOPEZ & FER FRANCES, Madrid

PATRICIA LOW CONTEMPORARY, Gstaad & St Moritz

ANNA JILL LÜPERTZ GALLERY, Berlin

EDOUARD MALINGUE GALLERY, Hong Kong

MIGUEL MARCOS GALLERY, Barcelona

ROBERT MILLER GALLERY, New York

VICTORIA MIRO, London

MARIO MAURONER CONTEMPORARY ART, Vienna & Salzburg

GALERIE DU MONDE, Hong Kong

N2 GALERÍA, Barcelona

GALERI NEV, Ankara,

NITRA GALLERY, Thessaloniki

OFFICINE DELL’IMMAGINE, Milan

GALERIE PARIS-BEIJING, Paris, Brussels & Beijing

PI ARTWORKS, London & Istanbul

PILOT GALLERY, Istanbul

POLIGRAFA OBRA GRÁFICA, Barcelona

ROSENFELD PORCINI, London

PROJECT ARTBEAT, Tbilisi

GALERIE JÉRÔME POGGI, Paris

GALERIA JOAN PRATS, Barcelona

RAMPA, Istanbul

GALERIE RAUM MIT LICHT, Vienna

NOSBAUM REDING, Luxembourg

RUKSHAAN ART, Mumbai

SAKSHI GALLERY, Mumbai

SANATORIUM, Istanbul

SARIEV CONTEMPORARY, Plovdiv

GALERIA SICART, Barcelona

GALERIA SENDA, Barcelona

STUDIO SALES DI NORBERTO RUGGERI, Rome

CATINCA TABACARU GALLERY, New York

GALERIA CARLES TACHÉ PROJECTS, Barcelona

GALERIE SUZANNE TARASIEVE, Paris

TENDERPIXEL, London

GALERIA TRAMA, Barcelona

UNTIL THEN, Paris

UPSTREAM GALLERY, Amsterdam

VALID FOTO BCN GALLERY, Barcelona

WATERSIDE CONTEMPORARY, London

WIENERROITHER & KOHLBACHER, Vienna

X-IST, Istanbul

ŻAK | BRANICKA, Berlin

GALERI ZILBERMAN, Istanbul

ZORZINI GALLERY, Bucharest

For more information, please visit: www.artinternational-istanbul.com

Tickets:

Adult/Day | TL30 


Adult/Three Day Pass | TL60

Concession/Student/Three Day Pass | TL15

Opening Times: 


Friday 4 September: 14.00 – 17:00 VIP Preview and Press Preview

17.00 – 21:00 Vernissage

Saturday 5 September: 12.00 – 20.00 Public Opening

Sunday 6 September: 12.00 – 18.00 Public Opening

Location: 


Haliç Congress Center, Sütlüce Mah. Karaağaç Cad. Beyoğlu İstanbul (www.haliccc.com)

Website: www.artinternational-istanbul.com 

Twitter: @ArtIntl

Instagram: @ArtIntl

ARTINTERNATIONAL: Online Exclusively at artsy.net 


ARTINTERNATIONAL is pleased to announce a collaboration with Artsy, a leading resource for learning about and collecting art online. As the exclusive online host of ARTINTERNATIONAL, Artsy.net will feature an online preview the fair with works available for purchase from exhibiting galleries, plus features like Insider's Picks and Trending Artists. The Artsy app for iPhone will become a personalised mobile guide to ArtInternational 2015, downloadable before the fair opens on September 4.